showing 100 of 10050 results matching `country:"Japan"`. (load 200 more)

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome. — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

unsigned — Taima Mandala, early 14th century
Unknown Japanese

G333

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, Yasuimoku Komuten Company Ltd. — Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, 2001 (constructed)
Yasuimoku Komuten Company Ltd.

G225

handled tray with short sides; light grey glaze with blue, green and gold leaves, vines and gourds; cutout gourd shapes — Tobacco tray, 18th century
Unknown Japanese

G225

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue — Sake bottle with paulownia, 17th century
Unknown Japanese

G221

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

two phoenixes at center, perched on a gnarled tree branch; waves at L; greens, blues, pink and white; seal and inscription, LRC — Phoenixes and Paulownia [right of a pair], early 18th century
Kano Tanshin

Not on View

damaged wristwatch without a band against light-colored fabric background — Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945, Nagasaki, 1961 (printed 1980)
Shomei Tomatsu

Not on View

horizontally oriented finlike form; rectangular form rising slightly at center — Moment II, 2003
Fukami Sueharu

Not on View

jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ — Early Spring Landscape, before 1533
Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Unknown Japanese

Not on View

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Unknown Japanese

Not on View

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back — Shinto Goddess, 12th-13th century
Unknown Japanese

G220

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position — Shinto God, 12th-13th century
Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Unknown Japanese

G205

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

G375

unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind — Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century
Unknown Japanese

Not on View

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob — "Burst bag" Freshwater Jar, late 16th - early 17th century
Unknown Japanese

G224

tall, narrow caddy with short, outward-curving mouth and incised line around the middle of the body; dark-brown glaze applied over a brown underglaze; bottommost portion unglazed; tiny ivory lid with concentric, incised lines — Tea caddy, after 1657
Nonomura Ninsei

G224

white gourd-shaped flask with grapevine design painted in underglaze iron oxide — Gourd-shaped flask with grapevines, early 17th century
Unknown Japanese

G221

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center — Plate with grapevines, trellis, and geometric design, late 16th century
Unknown Japanese

G225

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot — Wide-Mouthed Jar, 1st century BCE- 1st century CE
Unknown Japanese

G205

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Unknown Japanese

G225

Skeleton Father and Son Doing the Bon Dance, second half 19th century

Doi Gōga

G237

figure slightly smaller than life size, seated cross-legged with hands one of top the other in lap; eyes closed; mottled green glaze with silver liquid-appearing beads and drips overall — Reduction I, 2013
Kondō Takahiro

G200

oval basket with open weave around most of body in diamond pattern; horizontal bands of closed weave around top and bottom; diagonal weaving around mouth; handle made of four thin reeds coupled together and crossed at top — Basket, 1920s-1930s
Suzuki Gangansai

G239

thin, tall bamboo sprigs at R in gray and black — Southern Mountain Bamboo, 1822
Ema Saikō

G237

seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

G239

group of drunken men clustered around tables, attempting calligraphy, leading and riding a horse; man at UR standing behind banner — Eight Immortals Indulged in Wine, early 19th century
Watanabe Nangaku

G237

Boy on a Bull, Ueda Kōchū — Boy on a Bull, late 19th century
Ueda Kōchū

G237

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

G239

large diamond and triangle pattern in yellow, blue, white, pink, and red — Meisen kimono, first half 20th century
Unknown Japanese

G239

gnarled branches with dense flower blossoms made of spots of ink and ink wash — Plum Drawn from the Mind, first half 19th century
Baichi Dōjin

G237

cluster of morning glories, with vines, small pink flowers, and grasses; a few insects perched on grasses — Autumn Flowers [left of a pair], mid 19th century
Oki Ichiga

G237

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

morning glory vines and leaves interwoven with tiny white flowers, purple, and pink flowers; a few insects exploring the foliage — Autumn Flowers [right of a pair], mid 19th century
Oki Ichiga

G237

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet — The Diving Woman of Shido Bay, c. 1882
Tsukioka Yoshitoshi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

floral imagery on light blue background with birds, including two birds facing away from each other on a diagonal branch (LL to UR), various other birds and ducks, purple and white wisteria, an orange spotted waterlily, pink and white morning glories, branches of dark gray leaves, and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel — Presentation vase decorated with birds and flowers, one of a pair, 1890s
Unknown Japanese

G239

floral imagery on light blue background with birds throughout, including two birds facing away from each other on a diagonal branch (UL to LR), various other birds and ducks, bamboo branches, pink and white peonies, cherry blossoms, branches of dark gray leaves and various other flora; neck of vase has dark brown, metallic gold, and black patterned background with traditional Japanese imagery throughout (dragons, butterflies, roosters, flowers) and geometric borders; base has repeating geometric border in alternating reds and gray blues; metal rims on top and bottom; interior coated with light blue enamel — Presentation vase decorated with birds and flowers, one of a pair, 1890s
Unknown Japanese

G239

rocky landscape with scruffy green trees sparsely interspersed; primarily orange, green, and light brown pigments; mount is robin's egg blue and gold — Mount Kumgang (Kongōzan) in Korea, 20th century
Tsuji Kakō

G239

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels — Large hand-drum core with grapevines and squirrels, late 16th century
Unknown Japanese

Not on View

lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside — Writing box with pines, plum, chrysanthemums, and paulownia, 16th century
Unknown Japanese

Not on View

cylindrical container with lid; concentric inscribed orbital lines around cylinder; scalloped bottom edge with elegant feet; three-tiered cover with concentric inscribed rings; spire at top with four disks and budlike finial on top — Cylindrical Sutra Container, first half 12th century
Unknown Japanese

G220

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer — Incense burner with Chinese lions, 16th century
Unknown Japanese

G220

long-necked ewer with motif of dragons on handle and lid; bulbous body, gently curving spout with scalloped design around base — Ewer, 15th-16th century
Rihei

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Unknown Japanese

G220

Hill # R-21 — Swallow on a Lotus [right of a pair of Swallow and Heron], late 17th-early 18th century
Kano Tsunenobu

G221

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends — Hanshan and Shide, mid 16th century
attributed to Kano Yukinobu

Not on View

in a wooden box with inscription on outside of lid; has ivory knobs; image of a monkey on the R side hanging from a branch and leaning to touch the ground/water; inscription along L edge — Monkey Playing with the Moon Reflected on the Water, 20th century
Fukuda Kodōjin

G225

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

rock wall with drain; building at top — Horikawa, 1966
Tanaka Ryōhei

G226

building with steep thatched roof; man squatting below building next to a box of bottles near a bicycle; boxes of bottles, beer ads, and soda ads in front of shop — Thatched roof No. 10, 1970
Tanaka Ryōhei

G227

black and white image; two houses under a large tree; grass leaves on right, left and bottom of image; clothes line to left of houses — My old home, 1969
Tanaka Ryōhei

G226

front view of two story house with white siding, frown framing, and green shutters; trees peeking over brick wall in front yard; ochre colored background — Kobe No. 2, 1971
Tanaka Ryōhei

G227

wooden pagoda with on stone base off of wide pebbled path; wooden boards at flaring foot; balcony and slatted windows; wide, dramatic roof — Temple bell tower (Daitokuji), 1964
Tanaka Ryōhei

G226

old style Japanese building with high pitched thatched roof with opening in peak at top; shaded windows, open door, torn window covering at L; grasses in foreground — Thatched roof No. 13, 1972
Tanaka Ryōhei

G227

close up of tops of onion plants, frond tips, and blossoms in varying stages against olive green background — Onion flowers, 1966
Tanaka Ryōhei

G226

pitched roof homes of various sizes behind a wall tucked into a forest; — House in a grove, 1966
Tanaka Ryōhei

G226

black and white etching of a cut lotus root (?) lying on its side — Bamboo sprout, 1969
Tanaka Ryōhei

G226

black and white image; building with large flat room and smaller flat roof on left; slatted roof on top — Yamato farm house, 1965
Tanaka Ryōhei

G226

narrow lane with two trees; stone wall at L; buildings at L and R and in background; shadows from tree leaves on lane — Roadway in Shade No. 2, 2007
Tanaka Ryōhei

G226

muted green-gray background with a group of fish lying on a thin, torn net — Dry fish, 1967
Tanaka Ryōhei

G226

bouquet of flowers — Flowers, 1970
Tanaka Ryōhei

G226

ruined thatch-roofed building — Ruined house No. 2, 1966
Tanaka Ryōhei

G226

passageway on street with tile roof overhang — An alley, 1970
Tanaka Ryōhei

G227

yellow, red, and blue pansies — Pansy, 1969
Tanaka Ryōhei

G227

black ink and red chop marks on cream; seated male figure at bottom with three round objects placed before him, oval behind figure; three vertical lines of characters above figure; red chop mark in ULC, two red chop marks below line of characters at R; beige and olive silk mount; red scroll bar — Budai, 19th century
Shunsō Shōju

G221

spider against black ground over center of flower — Chrysanthemum, 1969
Tanaka Ryōhei

G227

sparrow perched at L on delicate blossoming branch; another sparrow flying, about to land at R — Birds on a Plum Tree, 1795
Itō Jakuchū

G225

white glaze with very subtle blue tinge; rounded body on wide ring foot; thin neck, slightly flaring outward; vertical ribs on body — Crane-necked vase with engraved chrysanthemum shape, 2012
Inoue Manji

G251

teapot form with tall, curved loop rattan handle in dark brown color; vessel (a) is triangular, almost football shaped; short, high spout on one side below handle attachment; surface is horizontal ridges; color varies from light tan at top to dark brown at bottom; circular lid (b) with short knob at TC; yellow tape attached to side indicates that it is meant to be viewed with the spout facing to the right; tape on lid indicates the notch should be at the front (viewer side) — Natural ash sculpture with handle, 2023
Michikawa Shōzō

G253

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

zigzagging path up a mountain with buildings along route; round area at top of mountain with buildings; some figures walking along path; muted colors; inscription in black with one red seal, LRC; ivory roller ends — Pilgrims Climbing Mount Fuji, 19th century
Kameisai

G237

Evening Shower over Ōhashi Bridge and Atake, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Evening Shower over Ōhashi Bridge and Atake, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppōzu and Tsukiji Hongan-ji Temple, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Teppōzu and Tsukiji Hongan-ji Temple, 1858, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

frowning bearded man wearing elaborate costume and flame-like hairstyle holding a sword in his proper right hand and the ankle of a small horned demon figure in his proper left hand — Shōki, the Demon Queller, and a Demon, mid 19th century
Kaigyokusai Masatsugu

G219

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